1960's Univox Guitar |
The Tempo-Merson Company was a distribution organization founded by a man named Bernie Mersky. At some point in the company's history, Tempo-Merson was purchased by another man named Ernie Briefel. Little more is known of the origins of Merson, but we know that the company was already marketing Tempo Merson brand archtop electric guitars and amps in the late 40's.
Early Tempo Merson Guitar Amplifier |
1950's Tempo Guitar Made by Kay |
The instruments distributed by Tempo-Merson in 1948 would have included brands with names such as Kay, Harmony, Kamico, Favilla, Tempo, Giannini, and Supro electric guitars. Originally some of these instruments built in the U.S. while other instruments were imported from Japan, Europe, and Latin America.
Vintage Hack Guitar (I'm joking) |
There was another company called Unicord, which was owned by Sid Hack. Thankfully he did not use his own surname on guitars or amplifiers!
Amplifier Corporation of America |
1960's Haynes Amplifier |
ACA made Haynes guitar amplifiers and also made an early distortion device powered by batteries.
After the acquisition, Unicord began marketing tube amplifiers made in Westbury, by ACA, carrying the Univox brand name.
It is quite possible the name Univox was chosen to compete with an amplifier company located in Manhattan called Multivox.
Multivox made the Premier brand name amplifiers,
1966 Univox UB45 |
Late 1960's Univox U-102 Amplifier |
The Unicord company had already been importing guitars from the Matsumoku Company, as well as effects units, built by Shin-Ei, both of Japan for distribution in the United States.
In 1967 Unicord was purchased by Gulf + Western (the oil company). At this time, Unicord was merged with Tempo-Merson, which Gulf + Western had already acquired. The new company was called "Merson Musical Products", a division of Unicord Incorporated, a Gulf + Western System Company.
Leland Sklar |
The Unicord aka Merson Musical Products continued to offer guitars, and amplifiers. The Univox amplifiers that were made during this era were a hybrid of tubes and transistors. And Univox did build some nice bass and guitar amplifiers.
Jimmy Page with his Univox UK Stack |
In fact Unicord designed transformers were used in the imported Marshall Amps because the company didn't think their own British transformers could handle the full 100 watts from the 6550 tubes (British Marshall's at the time used KT-88's which were lower wattage). Marshall of England eventually adopted Unicord's transformer design.
Unfortunately Univox got a bad reputation in the industry, due to the fact that instead of doing their own research, they copied amplifier designs from other manufacturers such as Shure, and Electro-Voice.
1947 Fender Princeton Woody |
Univox U-400G & Stage 400 |
It is not known how long Tempo guitars and amps lasted, but they did not survive the breakup of Merson and Unicord in 1976.
1969 Univox Hi-Flyer Phase 1 |
In 1968, the famous Hi-Flyer line was introduced and remained in distribution under the Univox brand for several years. As Univox made changes to the instrument, they changed the designations, by listing them as "Phase", one through four. Kurt Cobain of Nirvana favored the 1975 Univox Hi-Flier Phas 3 model.
1970's Univox Les Paul Copy |
Around this period time period, Univox also started copying Les Paul's and Ampeg Dan Armstrong Lucite guitars and importing them into the U.S.. The were made by the Aria company of Japan.
Early 1970's Univox "Lucy" |
Around 1970, Univox changed the logo on their guitars from plastic ones to the decal under the finish
1971 Univox Badazz |
By 1971, Univox introduced a guitar, and bass, they called the Badazz. This was a copy of a Guild S-100 Polara. This guitar was also made by Aria of Japan.
1970''s Univox Super Fuzz |
That same year, Unicord added a full array of effects to their catalog, and also offering synths and computerized effects.
As mentioned before these were made by Japanese firm Shin-Ei.
1970's Univox Stringman Synth |
As the synth and effects division came more to the forefront, the company turned to Korg as a source for imported products.
Univox Copies |
By 1975, Univox was importing copies or Rickenbacker’s 4001 Bass, and the Fender Stratocaster.
76-'77 Westbury Performer |
That same year Unicord abruptly gave its employees a single days notice that the company would move its facility to Westbury. By 1977 Unicord came out with the Univox Westbury Performer.
This was a precursor to 1978, when the Univox name was dropped in favor of the Westbury brand of guitars. Westbury guitars were sold through 1981.
1971 Giannini Craviola 12 string |
As part of their acquisition of Merson, Unicord/Westbury imported Giannini guitars, and folk instruments from Sao Paulo, Brazil. Most notably these included the Giannini Craviola 12 string instrument. Merson had been importing these instruments for years. Westbury Musical Instruments was the importer of Giannini instruments through 1981.
Click on the links under the pictures for sources. Click on the links in the text for further information.
©UniqueGuitar Publications (text only)
7 comments:
With the changing needs of the individuals in the society, the demand for Gibson guitar has been increasing day by day. These custom-designed guitars have been effectually satisfying the needs and want of the customers.
Nice story, but your information on where Westbury NY is, is incorrect. Westbury is on Long Island, making it an eastern suburb of NYC.
I have a univox badged big bassman sized solid pine can I believe it's a rare u302T( tremolo) 6l6 power tubes...looks n sounds like late 50,s early 69,s bassman amp...killer tone,amps all gone through n ready to gig anyone interested hit me up shadowchoker@gmail.com
Your right!!! I have a killer early univox u302 n it was supposed to belong to Vince Martell of vanilla fudge back in the day,& they where based in Long island area I believe n still live up there. .
Great story, and new info for me.
But have also heard that Univox sourced some of their amps from Japan much earlier than the chronology discussed here… Allegedly - some of the mid sixties all tube combos were manufactured overseas - but this may be erroneous... That information is disclosed on the web page where those early Univox amps are cataloged (fyi, by yet another keeper of the lore, I presume!). Of course Farmingdale (next to Westbury) also became one of the major hubs of small and bigger shop manufacturing during the home audio boom in the late seventies and eighties… Most any audio component you could think of - still made right there in good old Long Island, USA!
Anyway - we are grateful to have a better picture of where and how these intriguing amps and guitars came to be…
Own and occasionally play through the Univox U305R - a 1x15 two channel combo, driven by two 6973s in the power section - quite like the famous ‘Jimmy Page Dano/Supro’… The aftermarket description online calls the U305R a “Japanese amp, from 1965”. The Jensen speaker with full tubes, trem, and verb seem to confirm the vintage, at least... So maybe the chassis’ were imported - and final assembly was done at Unicord, or ACA..?
It does sound great - with lots of upper mid punch - and swampy trem - although the organization of features is a little contrarian... Runs about 27 watts… Does compare well to the aforementioned Dano/Supro soundwise.
Have read and enjoyed quite a bit of the gear history here on the Rare Guitar blog! Looking forward to learning more from whatever more may come!
✅
- David M
in Marin Ca
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