Olympic model. This was originally produced by the Staphopoli brothers in their New York facility.
For the first few years this model was fairly small as it was a mere 13” wide, with segmented f holes. By 1933 the width increased 5/8’ths of an inch.
Three years later, in 1937, the body was widened to 15.25” and the f holes were no longer segmented. This same year saw the release of the Epiphone Olympic in tenor and plectrum versions. In 1939 a center dip was added to the end of the headstock.
A different version of this same guitar was marketed in England from the mid 1930’s through 1937. Though produced or just marketed by Epiphone is somewhat of a mystery.
The body was made of either mahogany or birch. It may have been built by the Regal Musical Instrument Company for Epiphone distribution.
Epiphone version of the Gibson Melody Maker. The instrument weighed in at under 6 pounds.
In 1965 the company made a radical change in design of the Olympic that became the basis for many Epiphone thin line solid body guitars.
The body bore a large white pickguard with a large Epiphone lower-case
, in the middle of the pickguard.
The tailpiece was a Gibson Maestro vibrola with a white plastic handle, sometimes called the Walrus tooth arm.
Olympic models came with one Melody Maker style single coil pickup placed in front of the bridge. There were separate volume and tone controls. The input was mounted on top of the pickguard.
A soft shell lined case was standard issue with this model. In 1965 this guitar sold for $189.50.
Olympic White. The finish did not hold up on older models.
This bass has two pickups that are very different. In the rear the pickup is a Musicman style, while the front pickup is similar to what you would find on a Fender Jazz bass. This instrument has active controls mounted on its body. These include a pickup selector, volume control and a control for low EQ as well as one for high EQ. All hardware is made of die-cast nickel. The neck has a satin finish and the rosewood fretboard is topped with with offset pearloid position markers.
Henley Guitars are run by the husband and wife team from the UK Andy and Denise Henley. They import our own ranges of guitars and sell direct. Due to low overheads and they can offer excellent prices. Denise has a background in importing, shipping and freight. She runs all the administration side of the business and packing and shipping.
Olympia on these models. Though the price point factor was their goal, since Olympia models sold at a considerably lower price than Tacoma guitars. Non-the-less, Olympics were fine instruments.
Olympia guitars model OD-18S came with a solid spruce top with a glossy finish, a 25.5” scale set neck made of mahogany, a rosewood fingerboard with 20 jumbo frets that had abalone position markers. The bridge was mad of rosewood and had a rather unique shape. The neck and body were bound. The rosette was made of abalone. The sides were made of solid rosewood, but the back was made of laminated rosewood.
Olympia Fuzz. The manufacturer stated they were inspired by the Bender fuzztone and the Big Muff Pi fuzz and named after the Hammer of the Gods. This little pedal has received great reviews.
David Rawlings with his 1935 Epiphone Olympic