|1938 Gibson Super 400|
|Stromberg Master 400|
The lady that inherited the guitar had it appraised at a music store and they valued it at $1500 to $2000. It was actually worth around $25,000.
The Strombergs of Boston and John D’Angelico of New York City based their guitar designs on the Gibson L5, which was not only one of the finest guitars ever produced but also one of the most historically significant guitars.
|Paul Yandell's Super 400|
D’Angelico's Excel was much more elaborate.
By 1934 the guitar was renamed the Gibson Super 400. Its grand auditorium body shape is not unlike Orville Gibson’s 1902 Style O model. The L5 was part of what Gibson called the Master Series. This included the legendary F-5 mandolin, H-5 mandola and K-5 mando-cello and of course the L5 guitar. All were created in an era when Mandolin orchestras were popular.
|New Super 400CES|
(The current suggested retail price for a brand-new Super 400 CES is $14,099. A new Gibson L5 acoustic will set you back $6,774. At present Gibson does not offer a Super 400 acoustic model.
|1956 Super 400CES|
|Pre-war Gibson Super 400 heel cap|
The f-holes had triple binding. The pick guard was a brown pearloid model. The beautiful bound ebony fretboard came with split block inlays.
|'55 Gibson Super 400 L-5 Deluxe|
Production at the Gibson factory was halted in 1941 due to the war effort.
Guitar operations resumed in 1948, after the war ended. The Super 400P was re-christened the Super 400C.
This guitar had a slightly thicker top, to eliminate feedback. It originally came with twin P-90 pickups, each with its own volume and tone control and a three-way toggle switch to control them. The P-90's were updated to Alnico V pickups and in 1957 Gibson used twin humbuckers.
|'56 Gibson Super 400 CESN|
It was in 1955 when Gibson decided to discontinue the Super 400 and Super 400N guitars from their product line up. By 1982, slumping sales of the Super 400 CESN brought an end to this model and in 1987 the Super 400 CES was no longer being manufactured.
One rather rare model I have come across is a Gibson Super 400 CES with a Florentine cutaway manufactured in 1966.
The only other current models that would be similar are the one pickup Wes Montgomery L5 CES and Lee Ritenour L5 CES models and the twin pickup Custom L5 CES model.
There are some very notable players of the Super 400 CES other than Mr. Montgomery and Mr. Ritenour. Scotty Moore played one on Elvis’ 1968 live concert.
|Merle with Super 400|
|Eddie and Alonzo Pennington|
photo by Michael J. Stewart
If you watch the following videos, pay attention to how massive a guitar this is.
Before Merle Travis passed away, the Gibson Guitar Company asked him to donate his guitar to the Country Music Hall of Fame in Nashville, Tennessee. In turn, Gibson built an exact replica of his special modified Super 400 CES. It is interesting to note that Merle's new guitar had a wooden center block similar to what is found on ES-335 models.