Sunday, September 22, 2019

Ric Ocasek of The Cars - Dead at 75 - His Life - His Guitars

Ric Ocasek 2018
Ric Ocasek was born as Richard Theodore Otcasek. He is best known for his work with the popular New Wave band, The Cars. Their music featured Ocasek's unique voice, his guitar, and synth playing. The Cars remained as a group from 1978 through 1988 when they disbanded.

2018 The Cars
Inducted To
The Rock and Roll Hall of Fame


It was only little over a year ago that The Cars were inducted into the Rock and Roll Hall of Fame in April on 2018.





Richard Otcasek 1963

Otcasek grew up and went to school in Baltimore, Maryland. At age 16 his family moved to Cleveland, Ohio. After graduating from high school in 1963, he briefly attended Antioch College and Bowling Green State University, but dropped out to pursue a career in music.

In 1965, Otcasek met future Cars bassist, Benjamin Orr after seeing Orr performing in a band at a local musical variety program.

A few years later, the two guys reconnected and eventually started their own band that performed for events in Athens, Ohio, near the Ohio State University.

Orr and Otcasek in Milkwood

Within a few years Otcasek and Orr moved to Boston, which had a thriving music scene. This coincided during the time when Crosby, Stills, and Nash were popular. Orr and Ocasek created a band they called Milkwood to play music in that harmony style and in 1973 released one album.

Some of The Cars songs were first written around this time when they were performing as an acoustic duo.

Cap'n Swing

Later they got together with a bass player and a drummer and put together a demo tape as a band called Cap’n Swing. The demo was rejected, and the drummer, and bass player were rejected as well.


The great thing that came out of Cap’n Swing occurred when a new guitarist, Elliot Easton, and new keyboard player Greg Hawkes joined the group. Orr took over duties as the bass player, and eventually David Robinson joined the group as their drummer.

The Cars - 1976

In 1976 the band christened themselves as The Cars. Ric changed his stage name to Ocasek. He was the tall, slender guy, with coal black hair that played rhythm guitar, and sang many of their songs.

The Cars
The Cars were at the forefront of late 1970's guitar-oriented rock which merged with the new synthesizer-oriented pop that was just becoming popular and flourished in the early 1980s. The Cars sound was heavily synthesizer influenced.


The Cars MTV video
 Since You've Been Gone

Much of their success was due to the popularity of MTV, which at the time featured non-stop videos of popular and new talent that was promoted by the MTV VJ's.


1980 Rolling Stone Cover
The Cars


Within two years The Cars were named “Best New Artist” in a Rolling Stone readers poll.

In 1984 the group won “Video of the Year” for their song and video “You Might Think”. This was at the first MTV Video Music Awards.




The Cars debut album
Their self-titled debut album sold over six million copies and appeared on the Billboard 200 album chart for 139 weeks. Though the band broke up in 1988, by 2001, The Cars had sold over 23 million albums just in the United States.

In 1988 Ocasek announced he was sick of touring and a reunion would never happen.

Sadly Benjamin Orr died in 2000 from pancreatic cancer.

The New Cars - 2006


In 2005 Easton and Hawkes put together a spin-off band, The New Cars, and were joined by Todd Rundgren.

The surviving members did briefly reunite in 2010 to record the album “Move Like This” which was released the following year. They did follow up with a short tour to promote it.



Rock and Roll Hall of Fame Concert

The last performance of The Cars would be in 2018 and the Rock and Roll Hall of Fame induction.

 Ocasek developed a reputation as a successful record producer during his time with The Cars.

After The Cars disbanded, he was sought out by new artists to produce their projects. He produced recordings for quite a few Gen-X bands, including Weezer, Bad Religion, Hole, Romeo Void, Possum Dixon, The Cribs, and Bebe Buell among others.

Beatitude - Ric Ocasek
Ric Ocasek produced also two solo albums. Beatitude came out in 1982, followed by This Side of Paradise.

He also published a book of his poetry.  Ocasek was also an artist, displaying his paintings and drawings and some of his shows.

He was married three times, and had six sons, some of whom went into the music business.

Ocasek and Paulina Porizkova
At the time of his death he was separated from his wife of 28 years, Paulina Porizkova. She was an 18 years modelling sensation when he first met her in 1984 on the set of a video that The Cars were filming.

Ocasek was found dead in his New York City townhouse on September 15, 2019, by his estranged wife Paulina Porizkova when she was bringing him coffee.

Reports say that Ocasek had suffered from hypertension, emphysema, and cardiovascular disease, and was recuperating from recent surgery. His death was ruled from natural causes.

Ocasek with 70's SG


Throughout his career Ocasek used quite a variety of guitars. Ric Ocasek first guitar in The Cars was an early 1970's Gibson cherry SG with a Harmonica bridge. It had replacement DiMarzio pickups. The guitar was later repainted to be black with red pinstripes sometimes between the first and third album.




Ocasek with '62 SG



Ric also had a red 1962 SG that had a sticker near the bottom strap button. It had stock pickups. Ric used this one later on his solo recordings






Ocasek with '74 Jazzmaster

One of Ocasek's earliest guitars was a 1974 Fender Jazzmaster. He used this on "My Best Friend's Girl" off of The Cars first album. Eventually it was repainted pink. In the early 1980's it was fitted was a new bridge made by Gibson, or Gibraltar. The Jazzmaster was also used on "Shake It Up".




Ocasek with Dean Caddilac
Ocasek is seen in a number of concert videos playing a white Dean Caddilac. It is rumored that it was ordered by Elliot Easton from the Dean catalog. Easton had signed an endorsement with the Dean Company in 1979. It was used by Ocasek on The Cars first album tour. The guitar was thrown across the stage during a show, and subsequently rebuilt into a three pickup Japanese Flag graphic configuration.

Ocasek with Fender Jaguar

Ric was also fond of using a Fender Jaguar. This guitar was found at a pawn shop by Elliot Easton, who purchased it for $80 in 1980. Those guitars were not popular back then since they were considered 'surf guitars'. It was used on virtually every recording by The Cars. Ocasek preferred it's clean sound. He had it repainted, and took it on tour. Later on it was a studio instrument at Ocasek's facility, and used by Weezer, when he was recording their Blue Album.

Ocasek with BC Rich Perfect Bich 10
Ocasek can be seen using a B.C. Rich Perfect 10 Electric 10 String Guitar. This was a very well made instrument with neck-through body, and constructed of AAA quilted North American maple. The top four string are double coursed, like on a 12 string, with the third and fourth strings paired in octaves. The bottom two strings are single.


The headstock has six tuning machines, and four grommets to hold to additonal strings, which have their four tuning pegs at a cutaway section on the guitars base.

Les Paul Special



Ocasek started using a Gibson Les Paul Special Double Cutaway sometime around 1979 to 1980, and continued using it through his 1990's solo career.





Gibson ES 335


Sometime around 1985 Ric started using a black Gibson ES-335 with The Cars, and on his solo album.








Ocasek with Les Paul Jr.


During the 1979 Candy-O tour, Ric was using a 55' Les Paul Jr. for some songs. This guitar had a single P-90 pickup in the bridge position.







Ocasek with 1950's Telecaster

Ric owned a butterscotch blonde mid 50's Telecaster with a white pickguard. He did not play it often with The Cars. He loaned to Weezer while recording their 1995 debut Blue Album.



Ocasek with 1954 Stratocaster


In a video Ocasek can be seen playing either an original 1954 or a reissue 1954 Stratocaster. Ric owned at least 2 other strats, a black on black 1977-1979 model, and a Black & White one that was smashed in the "True To You" video from his solo career.




1954 Gibson Les Paul Custom


Ocasek referred to another guitar he owned as the fretless wonder. This was a 1954 Gibson Les Paul Special with a black finish, gold hardware and two P-90 pickups. He stated that he liked its distorted sound when played through his 50 watt Marshall amp.





Ampeg V-4 Guitar amplifier

Ric Ocasek preferred only two amps during his career with The Cars. One was an Ampeg V-4. He says he liked it's midrange sound. This was a 100 watt guitar amp, in a head only format. It had internal spring reverb.


Marshall JCM 50
Ocasek used a Marshall JMP 2203 50 watt JCM model, which was very popular during the 1980's, and used by many bands.

The Cars were one of the first synthesizer based bands. The keyboards were mostly played by Greg Hawkes, but Ocaseck doubled on keys for some songs, and certainly in the studio.

Their sounds emanated from a variety of synths that were popular at the time, including Sequential Circuits Prophet synthesizers, and a Roland Jupiter 8.

The group relied on a couple of Korg synthesizers including a Korg Lambda, and a MiniKorg 700.

Privately Ocasek would work out songs using these synths, and some small Casiotone keyboards. For home recording he utilized a lot of drum machines including the Linn LM-1 drum computer, some older Roland units, and even an old Univox rhythm machine.

The Cars Albums

The Cars recorded six top selling LP's that include The Cars (1978), Candy-O (1979), Panorama (1980), Shake It Up (1981), Heartbeat City (1984), Door to Door (1987), plus their final LP recorded to promote their reunion,  Move Like This (2011).

Click on the links under the pictures for sources. Click on the links in the text for more information.
©UniqueGuitar Publication (text only)






Sunday, September 8, 2019

Pignose Amplifers - The Whole Story

Kimbell and Edlund
The Pignose Amplifier was invented by Richard Edlund and Wayne Kimbell back in the late 1960’s, during the days when they were both working for a graphics agency.

Back in 1968, they were doing a photo shoot at a Rock ‘n Roll trade show, when Edlund saw a 5 watt battery powered amplifier made by an audio visual distribution company called Pacific Radio. There were plenty of 5 watt amplifiers back in the day, but most were AC amps in larger cabinets.

English Leather Box

Edlund came up with the idea of a creating small battery powered amplifier. English Leather Cologne was popular back then and it was packaged in a small hinged wooden box. Edlund used one of these as a chasis for his small amplifier.



Warren Zevon 
During this same time period, Edlund was hanging out with his friend Warren Zevon,  Zevon was recording an album and was cranking his Peavey amps up to get feedback. This drew complaints from other artists at Wally Heider’s studio.

 Edlund asked him to try out his homemade amplifier and Zevon wound up finishing all the sessions using the tiny amp.

Original Pignose Knob
It is questionable how Kimbell and Edlund came up with the name Pignose, but after the decision they ordered rubber snout-shaped knobs to be made. One of their friends, producer/director gave them an advance, got a copyright attorney, and with the money they made 65 amplifiers.


The guys came up with “The Legendary” moniker by giving all 65 amps away, in hope someone would take interest and offer funding. It paid off.

Jimmy Guercio
At the time Record producer Jimmy Guercio was having a lot of success with the band Chicago. Guercio had recieved one of the Pignose amps and got Chicago's guitar Terry Kath use it on a recording. Kath fell in love with this little amp, going so far as to imagine a wall of Pignose amps.

Terry Kath of Chicago
Guercio, Kath, and the rest of the band offered to invest in the manufacturing by becoming partners and set about to fund Pignose Industries Inc.

Edlund redesigned the amp to look much like it does today, and named it the 7-100. Pignose Industries set up production. They used Martin guitars for distribution, and  printed thousands of red, white, and blue stickers to advertise the amplifiers.

Vintage USA made Pignose7-100
The amp made its debut at the 1973 Summer NAMM show, as The Legendary Pignose Amplifier. The earliest amps were covered in real pigskin.

The company made and sold over 50,000 amplifiers the first year.

The amp is in a 9 x 6 x 4” case, and weighs about 5 pounds. It pumps 5 watts into a 5” speaker, and is powered by six AA batteries, or an optional 9 volt AC transformer.

The cabinet included two guitar strap hooks, to allow the player to put a strap on it and wear it over their shoulder.

JCM2000 with JCM900 cabinet
and a Pignose 7-100


The Legendary Pignose 5 watt amp was sort of thumbing its snout at guitar and bass players that were obsessed with Marshall Stacks, and other huge amplifiers. And a lot of artists, including Frank Zappa, Eric Clapton, and John Lennon recorded with a Pignose amp.



Micro Amps
Since 1974, there have been a few imitators. In this era, there are many tiny modeling amplifiers, including the Roland Micro Cube, Vox, Yamaha, Smokey Amps, and quite a few others. But the Pignose amp was the granddaddy of them all.

Vintage Pignose 7-100


This little piggy may not have the bells and whistles of the newer amplifiers. And it not just a one trick pony. This little piggy gives a down and dirty distorted guitar sound, but you can actually get a clean and chimey sound out of it if you try.





Preamp out jack
When it is miked, the Pignose can sound huge. It also has a preamp output on the back that allows it to be plugged into a larger amplifier.

You can get a slightly different sound by playing with the cabinet opened or closed. If you have a friend open and close the cabinet while you are playing, you can get a sort of Wah-wah sound. The portability of the Pignose allowed electric guitarists to strap the amp over their shoulder while busking.

1974 Pignose Ad
with Terry Kath




The accountant for Chicago ran Pignose Industries from 1974 until 1982.






Howard Chatt



In 1985 the company was purchased by Howard Chatt. He has owned and run the company since 1985.






Keith Richard's Vintage Pignose
The original price of the Legendary Pignose 7-100 was $79.95. The price rose to $159.95. Later on it was reduced back to the original price. It currently sells for $110 directly from the company, but is available from many stores at only $75.  Most other mini amps are now retailing at $160 to $300. Vintage USA made Pignose 7-100 are still available, and are selling in the $160 range.


Pignose Hog 20


Pignose currently offers two other portable battery powered amplifiers; the 20 watt Hog 20, and the 30 watt Hog 30.







Pignose Hog 30



Both of these amps come with a rechargeable battery that allows the amp to run for 6 to 10 hours on a single charge.






1980's Pignose 30/60 amplifier
There are a few discontinued Pignose amplifers that were ahead of their time back in the day. One is the Pignose 30/60. This was a 30 watt solid-state amplifier with a 12" speaker. This 1980's amplifier was designed Patrick Quilter, who now sells his own Quilter amplifiers. It was not a big seller back in the day, but I am told that Chet Atkins owned one of these. It can go from clean to dirty with it's Squeal Control.

Pignose G40V



The Pignose G40V was first offered in 1997 for $199.00. This all tube amplifier was designed by amp guru Dennis Kager. Sadly, Mr. Kager passed away in 2018.





Dennis Kager with Sundown Amplifiers

Kager spent his younger days working for Ampeg,  then went out on his own, setting up his shop called Central Jersey Music Service in Edison, New Jersey. It was there he created a line of amps he called Sundown Amplifiers.

One of these was the small but powerful Sundown AC50 watt amplifier. It also came in a 100 watt version. Dennis Kager worked with Yamaha, assisting with the early Michael Soldano amps, and was instrumental in creating Gorilla Amps, which was another Pignose Industries product. Kager was hired by St. Louis Music/Loud Technologies to help recreate the Ampeg SVT-VR reissue. He also worked for Joe Naylor, and created the Reverend amplifiers.

Mr. Kager inked a deal with Pignose Industries to create an affordable small 40 watt all tube amplifier. This amplifiers electronics loosely mirrored a Tweed Fender Bassman, which became the PIgnose G40V.

Pignose G40V front and back
The amps tube complement consisted of two 6L6GC power tubes, and three 12AX7 tubes (a phase inverter, and two for the preamp). They were all inserted in ceramic sockets. They powered a special design 10" speaker capable of handling 80 watts.

Controls included volume, master volume, middle, treble, bass, and presence.

This amp was LOUD. Unfortunately, when it was first offered, the G40V was very underappreciated, due to the fact it was made in China during an era when Chineses products were considered inferior.  Today Fender, Vox, Marshall, Gibson/Epiphone, and other companies make most of their products in China.

The Pignose G40V weighed in a 28 pounds, which was a few pounds less than a 15 watt Fender Princeton Reverb, but the Pignose sold for hundreds of dollars less, and was as loud as a 50 watt Marshall amp.

Pignose G40V

The only issue I had with the G40V was it was a little too bright through the internal 10" speaker. However, the speaker could easily be unplugged. In fact the amp has two speaker jacks. One was for a 4 ohm load, and the other was for an 8 ohm load. One could plug it into a larger speaker cabinet for a most impressive sound.




Pignose G60V

Around 1999 Pignose offered two other Kager designed amplifers; The Pignose G60V, which featured a 12" special design speaker, spring reverb, and effects send and receive loop, and an additional 12AX7 tube to power the reverb.




Pignose B100V Bass Amp

The other amplifier was the B110V bass amp. This one featured a 15" speaker. These amps were covered in a thicker black tolex material. The G40V was covered in the thinner brown material used on most Pignose amps. All of these amplifiers were discontinued, however on the used market, the G40V sells for $200 to $350.00 USD.



Kager K50-15 Amplifier

Though Mr Kager is no longer with us, Pignose Industries now offers a Kager designed amplifier called the Kager K50-15. This is a hand-wired tube powered amplifier that is switchable from 15 to 50 watts. The controls feature, volume, master volume, treble, middle, bass, presence, and reverb. It also includes twin inputs, a power on/off, and a standby switch.

Kager K50-15


The amp powers a 12" high output speaker. It is covered in white tolex, and comes with a cover.  It sells new for $1850.00 USD.  Considering it is a hand-wired amplifier, this is comparable to other guitar amplifiers in that category.



Pignose Travel Electric Guitars


Under Howard Chatt's direction Pignose Industries has offered some very innovative projects including travel guitars, with built-in Pignose amplifiers.





Pignose 7-100's

I believe that when most of us think of a Pignose amp, we remember the epic, little piggy 7-100.

Click on the links below the pictures for sources. Click on the links in the text for further information.
©UniqueGuitar Publications (text only)