Sunday, March 19, 2017

Chuck Berry: His Career and His Guitars

Chuck Berry playing a Gibson ES-335
Chuck Berry passed away on Saturday, March 18th, 2017 at his home in St. Charles County Missouri. He was 90 years old.

1950's publicity photo
For those of us that grew up in the era of the 1960’s and who learned to play rock guitar, it was essential to learn Berry’s songs and guitar licks. The Beach Boys hit song Surfin USA was set to the music of Chuck Berry’s song Sweet Little 16. Even the intro to the Beach Boys song "Fun, Fun, Fun" was cobbled together from the intro to Berry's "Roll Over Beethoven".

In the Beach Boys song "Do You Remember", Brian Wilson wrote "Chuck Berry's got to be the greatest thing that came along, He wrote the guitar beats and the all time greatest song". Chuck Berry essentially defined early Rock and Roll with his 3 chord songs, guitar introductions, and lyrics.

Young Chuck Berry
Berry grew up in St. Louis and by high school showed an interest in music and guitar. During those years he got in trouble with the law and spent 3 years in a reformatory. He worked briefly in an automobile assembly plant, before meeting Blues musician T-Bone Walker, who was impressed with Berry’s guitar riffs and showmanship. Walker encouraged him to get into the music business.

With Jimmy Johnson Trio
 Chuck holding his Gibson ES-295

In 1955 Berry traveled to Chicago and began performing with the Johnny Johnson Trio. It was there where he met Blues player Muddy Waters. Waters introduced him to Leonard Chess of Chess Records who signed Chuck Berry to the label.

Chuck’s first hit song was Maybellene, which was an adaption of an old Country song called Ida Red. The recording sold over one million copies and was on Billboard Magazines’s Rhythm and Blues chart list. This lead to more hit songs and a lucrative touring career.

Chuck Berry in the 1950's
Berry had hits in the mid 1960’s, No Particular Place to Go, You Can Never Tell, and Nadine never matched the chart toppers of his earlier songs such as Maybellene, Johnny B. Goode, Roll Over Beethoven, and Rock and Roll Music.

Chuck Berry inducted into
the Rock and Roll Hall of Fame

In 1986 he was inducted into the Rock And Roll Hall of Fame. Chuck Berrry was ranked fifth on Rolling Stone Magazine’s list of the 100 Greatest Artists of All Time.

Chuck Berry with an ES-335
However his success became an encumbrance for him. His income was derived from touring and he was playing the same three chord songs night after night. In an interview he stated that his success stripped him of an artistic credibility. He felt as if he were a relic people came to see. Touring became so mundane that he stopped using his own band. When he did a show he played with whatever local band the promoter had hired to back him.

Westbury, NY Fair 2004

I knew a keyboard player that once backed him up at a state fair show. He said that Berry pulled up in a rented Cadillac convertible with his guitar in the back seat. He walked on stage, plugged into an amp that was already set up, and began playing to the crowd.

When his set was over, he thanked the crowd, walked off stage without saying a word to the band, and drove off.

Doing the Duck Walk
Berry was not just an excellent singer/songwriter, but a consummate performer and showman. His “duck walk” and facial expression he did while playing guitar became his trademarks. And he was an excellent player. He often borrowed “Hillbilly” guitar licks, inserting them into his songs. Throughout his lifetime Berry had some skirmishes with the law, but eventually came out on top.

Chuck Berry
playing a Gibson ES-350TN

When Chuck Berry first started out he is probably best known for playing a 1956 Gibson ES-350TN (thin natural finish) on several TV appearances. In fact he is probably best known for playing Gibson electric guitars.

'59 Gretsch 6121

He also owned and played a 1959 Gretsch 6121 Roundup in appearances.

With Gretsch
stereo White Falcon

For a movie called Rock! Rock! Rock!, Berry is seen with a stereo Gretsch White Falcon, however that was possibly a prop guitar provided by the production company.

Berry also played an early to mid 1960’s model of a Gibson ES-335. He is seen playing a number of different ES-335’s. Possibly some were provided for him so he didn’t have to fly with his own instrument.

Berry with Gibson ES-335

The most iconic and photographed guitar he played was the Gibson ES-355. You can tell this guitar by the split diamond inlay on the headstock. He played a number of versions of this instrument. Some had Maestro vibratos, some had Bigsbys, and some had no vibrato.

Berry with Gibson ES-330

Berry can be seen playing a Gibson ES-330 hollow body electric.

With '67 version of a Flying Vee

There is but one image of an older Chuck Berry playing a red 1967 Flying Vee.

Berry playing a Gibson Lucille model

Berry was also known to use a Gibson B.B. King Lucille model guitar.

Chuck Berry with Gibson Super 400

And Berry brought this guitar to the 2012 Awards for Literary and Lyrics Excellence.

As for amplifiers, Chuck probably insisted on the venue providing one. He was fond of Fender Dual Showman amps with reverb, and Fender Twin Reverb amplifiers. In fact a concert rider states the venue should supply: "Two Dual Showman amplifier heads and two Dual Showman speaker cabinets. Any alternative equipment must be in above watts and speaker size."

Chuck Berry's amps - Dual Showman - Pro Amp - White Dual Showman - Ampeg - 2 Dual Showman Reverb Heads
However he was also photographed playing through a Marshall amplifier, and a large Ampeg amplifier.

Themetta (Toddy) and Chuck Berry
He married his wife Themetta in 1948 and the two were still married at the time of his death.
©UniqueGuitar Publications (text only)

Friday, March 17, 2017

The Rogue Aluminator and Able Axe Guitars

The Rogue Aluminator was featured for a few years in the late 1990's in Musician's Friend catalogues.  It was truly a unique instrument.  The slotted body was made from billets of aircraft grade aluminum. 

The history of this guitar is somewhat fuzzy, however here are the facts as I have researched them.

The body shape of the Aluminator is reminiscent of a Fender Stratocaster. As mentioned already the guitar's body was made entirely of aluminum.

The 25.5" scale, 22 fret, bolt-on neck was made of maple with a rosewood fretboard with dot markers.  The six on a side headstock pointed and painted featuring the Rogue logo.

Rogue has been the house brand featured by Musician's Friend for years. The instruments are made by other companies for Musicians Friend.

The perimeter of the Aluminator body is slotted, thus allowing a decrease in the guitar's weight.  The center section of the body contains the pickups controls and wiring harness.

This guitar had a single volume and tone control. The potentiometer knobs were similar in appearance to those on a Telecaster.  The Aluminator also came with 3 mini-throw switches; one for each pickup.  This allows any combination of pickups to be off or on and gives 11 different sounds.

The end of the body featured a non-trem Strat-style bridge with six adjustable saddles.

Although it did not allow for the Kahler style, dive bomb sounds that were popular with the shredders of the day, the fixed bridge did help with sustain. 

It was offered in different MF catalogs from $549 to $699.  The catalog I recall was asking $599 for the guitar. 

The guitar came in silver, purple, red or black.

The Rogue Aluminator is sometimes confused with guitars manufactured by Able Axe.  This is probably since it was Able Axe guitars that manufactured the Aluminator for Musicians Friend to sell under the Rogue Brand.

Able Axe was a guitar manufacturer started by Jeff Able. He selling guitars he built out of aluminum between 1994 through 1996. He started up again in 2001.

Abel Axe guitars bodies are made of solid 6061-T6 aluminum billets and are only one inch thick. Less than 250 of the original Swiss cheese body style were made from ~1994-1996. The bodies had holes drilled into them. The holes were there to reduce the body weight.

The bodies on these instruments were approximately 9.5 lbs or 4.3 kilograms

All of the guitars were designed and manufactured by Jeff were made at his shop in Bitteroot Valley,Wyoming. The original run, like the guitar pictured her featured holes drilled in the body. When hee started building again in 2001, the guitars featured slots instead of holes, as those on the Aluminator. 

All the bodies were coloured with anodized aluminum finishes. Most were finished in red, black, blue, violet, gold, teal, and some even multicolor. There rarest would be 3 with a green grass finish and 20 with a clear (aluminum) finish.

These guitars featured a small Strat-type body and were equipped with either a trem or fixed bridge. Since they were made one at a time by Jeff there are subtle differences in hole beveling, spacing, and drilling depth. There was a small original run of single humbucker Abel Axe guitars made with slots instead of holes. 

The very first batch (a dozen or so less) were released withDiMarzio humbuckers: PAF Pro in the neck position and Tone Zone in the bridge position. These were replaced by Kent Armstrong pickups (which at one point were manufactured by Sky pickups) which were HRE-1 in the neck position and HSDE-1 in the bridge position.

Many of these Able Axes featured a Kahler Tremolo and Sperzel Trimlock tuning pegs.

The original guitar necks were made by Musickraft Inc. and were rosewood or maple fret boards on quarter- sawn hard rock maple. All guitars made after 2000 featured Warmothnecks were used. From 2007-present, necks are made by Delaney Guitars. Scale length on all necks: 25.5″.

These pickups are now called are sold through

In 2010 there was an article that Jeff Able was going to sell his guitars in partnership with Mike Delaney of Delaney guitars.  There is no mention of this on the Delaney website.

According to recent posts by Jeff Able’s daughter Jenna, Able Guitars will be back in business. There is a Facebook page for Able Axes.

.The retail cost in 1994-96 for an Able Axe was $1395 to $1495.  A variety of colours were offered, including plain stainless aluminum.

©UniqueGuitar Publications (text only)

This is mostly about Mike Delaney Guitars, but around 5:53 he talks about the Able Axe

Sunday, March 12, 2017

Parker Guitars - Ken Parker

Ken Parker and Parker Fly

Ken Parker built his first archtop guitar in 1974. This was long before he rose to fame with his well known electric guitar; The Parker Fly.

Ken Parker

In regard to the origin of the Parker Fly, Parker, in his own words states, "Larry Fishman and I met in 1984 and began a playful but productive design partnership.

Larry Fishman
We shared techniques and technologies, and tried to envision some new tools for guitar players. Long story short, we founded Parker Guitars in 1991 in order to realize the Fly Guitar project. We created tools to build the guitars, and established our factory in Massachusetts, where we produced about 30,000 guitars and basses."

1993 Parker Fly Guitar

In doing so, Ken created a modern ultra-light guitar, and made use of some unusual materials. Official sales of the Parker Fly began around 1993.

1992 Parker Fly
The Parker Fly was made from a variety of woods, including poplar, basswood, and spruce. Once the unique shape of the body and neck were carved the instrument was coated with a composite of resin and carbon glass to reinforce the structure.

Parker Fly - custom marbled colour

The fretboard was also made of a composite material and the frets were made of stainless steel. The design process has given Parker Fly guitars the reputation of having the “fastest neck in the business”.

Due to their durability, these materials will pretty much last for the lifetime of the owner.

The electronics used in the instruments were very unique as well. The guitar used either coil split humbucking pickups or single coil pickups. Both had active circuitry. The Fly also had a piezo pickup for acoustic sounds.

Original Parker backside

The structure of the neck was unique since it used multiple finger joints for stability.

Parker Vibrato
The guitars vibrato was unique as well. Instead of using wound springs, The Fly utilizes a shaped flat steel spring that returns the guitar to pitch. It could be set for bend down down mode, balanced mode (full floating), or fixed mode.

Adjustment Wheel

The tension is controlled by a balance wheel. (The guitars manual cautions not to set it too tight as this could cause the spring to break). The vibrato was engineered in a way to bring the strings back to pitch. Sperzel locking tuners aided in maintaining the instruments pitch and eliminated the need for string trees.

Ken Parker and Larry Fisher set up their business and manufacturing facility in Wilmington, Massachusetts.

2002 Parker Fly Bass
In October 2002, Parker began offering the Fly Bass guitar in both 4 and 5 string versions. These basses were well received for their ease of use. They came with both magnetic and piezo pickup and the player could blend the two sounds together. The basses were also manufactured in the Massachusetts factory.

In 2003 Ken Parker sold his stake in the company to the U.S. Music Corporation.

2003 Redesigned Parker Mojo Flame
As he states, "In 2003, U.S. Music purchased Parker Guitars, and moved the production facilities to the greater Chicago area. Since that time, all of the new models produced by Parker Guitars, including any acoustic or semi hollow instruments, have been designed solely by Parker Guitars' design engineers. I have had no involvement with any of these new design projects.

Creating the Parker Fly, Nightfly, and the Fly Bass was a labor of love. I had a lot of fun designing them and then devising and building the production tooling to make them. These instruments have worn well,  and now the product line has been expanded by the new owners."

U.S. Music Corporation Home Page

The U.S. Music Corporation is a distributor of multiple products, including Parker guitars. This organization manufactured the guitars from their Illinois based factory. They developed the line and changed up a few things.

2003 Parker Fly Classic

U.S. Music took a different approach to Parker Guitars. Some Parker guitars were no longer made with the original composite finish, but were now made of wooden bodies. To be fair, by 2001, Ken Parker had offered some models with wooden bodies.

Also some of the new models appeared to be Parker guitars that had morphed with other popular guitar designs.

For instance, the Single Cutaway Fly Mojo may have been a wonderful guitar, but the Les Paul influence is obvious.

Parker Single Cutawy Fly Mojo Flame
This was a single cutaway guitar with twin Seymour Duncan humbucking pickups. The body and neck were made of mahogany and were joined by using Ken Parker’s multi-finger neck joint. This guitar featured a tune-o-matic style bridge and a stop tail piece. The neck was topped with an ebony fretboard that had no position markers and the unique Parker 6 on-a-side headstock.

Tuners were still made by Sperzel.

Fly Mojo Flame
The Fly Mojo Flame did have the body shape of a Parker Fly guitar. The literature suggests it was made of mahogany with a “unique AAA flame maple skin over a solid mahogany body allowing the sound of mahogany to fully resonate through.” I cannot determine if this means the body had a maple veneer or a maple photo-flame finish.

This guitar came with a mahogany neck topped with the Parker headstock and included one Duncan Jazz and one Duncan JB humbucking pickup. Once again the fretboard was ebony with no position markers.

The Fly Mojo Flame also had the Parker Fly vibrato, sans the adjustment wheel. U.S. Music eliminated the vibrato adjustment wheel on all models that they produced.

2006 Fly Mojo

The Fly Mojo was similar in all aspects of the previous guitar, but the body was made of natural unstained mahogany.

U.S. Music continued to build The Parker Fly guitar, but changes were made from the original design to correspond with their vision of this instrument.

2005 Parker Fly Classic
The body was now made of mahogany with a basswood neck. The Fly Classic weighed in at 5 pounds and had the features of the original Fly, except for the choice of body wood and composite finish.

The U.S. Music Parker Fly came with two Seymour Duncan humbucking pickups and included the Parker vibrato. The guitar was available with three colour options.

2005 Parker Fly Deluxe Ice Blue Burst

The Fly Deluxe was a similar instrument that apparently was voiced differently than the original. It came in different six different colour schemes.

The Parker Nitefly Series included two guitars with features in the same shape as the original Parker Fly model. However these both had solid mahogany bodies and bolt on mahogany necks.

NiteFly Mojo Flame
The NiteFly Mojo Flame guitar had the same style neck, with a plain ebony fretboard, topped with the Parker style headstock. The thing that stood out on this guitar was the two humbucking pickups that were topped with chrome covers. One pickup was a Seymour Duncan Jazz pickup and the other was a Seymour Duncan JB pickup. This guitar featured the Parker vibrato. The mahogany body came with what the literature called, “a flame with a traditional AAA flame maple top over the solid mahogany body.”This guitar was offered in cherry sunburst or transparent blue-burst.

NiteFly Mojo

The NiteFly Mojo guitar had the same accouterments however the pickups lacked the chrome covers and there was not a flame veneer topping the mahogany body. It was bare wood and available in a natural finish, a transparent cherry finish, or a dusky black finish.

Southern NiteFly
The Parker Southern NiteFly was Parker’s answer to the Fender Telecaster. The body on this guitar was made of swamp ash and the bolt on neck was maple. The guitar even had black plastic pickguard. The neck pickup was a single coil with a chrome cover that could have been right off of a Tele. The Powerbridge™, looked like the rectangular chrome plate on a Telecaster. It contained a second single coil, slanted pickup and the adjustable bridge saddles contained the Fishman™ piezo elements. There was no vibrato on this model.

What set this apart from a Telecaster was the Parker Fly body, and the Parker headstock. The chrome control plate featured a third knob for the piezo volume. Above it was a second toggle switch to activate the piezo pickup. It was available with blonde, butterscotch, or transparent red finish options.

There were other variants that U.S. Music came up with for their Parker guitars.

NiteFly M

The Parker Nite Fly was one of the models designed by Ken Parker in the late 1990’s. The U.S. Music version of this guitar, called the NiteFly M, had a solid mahogany body and was topped with two humbucking pickups. The bolt-on neck was also made of mahogany. This instrument was offered with a natural oil and wax finish or a similar finish in black. It had the Parker vibrato.

NiteFly Alder
The Nite Fly Alder was Parker’s version of the Fender Stratocaster. This time the body was, of course, made of alder wood, while the neck was maple topped with an ebony fretboard. The pickup layout was similar to that on a strat, but the bridge pickup was a Seymour Duncan humbucking model. The controls were the same as those on a Stratocaster; a master volume, and two tone controls. It too came with the Parker vibrato. It was offered in cream white, Indigo blue,and cherry red.

NiteFly SA

The NiteFly SA was based on the original Parker model. It had the typical Parker shape, but was topped with a white plastic pickguard that contained the electronics, including two single coil pickups and a humbucking pickup in the bridge position. A slider switch acted as a pickup selector. The guitars body was made of swamp ash and the neck was maple. It came complete with the Parker vibrato and was available in transparent red or blue.

Parker PM and Parker P Series
The Parker PM Series and P Series were similar to all of the previous versions, but are noted by the company as having significant upgrades.

U.S. Music Parker guitars included in its line up a series four solid body Parker Fly basses, in addition to their hollow-body PAB 40.


The PB61SP featured neck-thru construction of a spalted maple top and mahogany neck with an ebony fretboard and a spalted maple headstock veneer. The tuners and adjustable bridge/saddle were gold-plated. The body was in the Parker Fly Bass shape. This bass, like all Parker basses, featured twin EMG 35CS active bass pickups.


The PB51TR (Transparent Red) was very similar, except the body and neck were made of mahogany and it was finished in transparent red. The tuners and adjustable tailpiece were in a black gun metal finish.


The PB41 series offered the same great features, such as EMG pickups, however the body was made of Sitka spruce with a Urethan finish, and the bolt-on the neck was maple. It was available in Silverburst, Black Matte, and Gold Matte. The hardware was also done in a black finish. These basses were available in four or five string models.

In 2006 the company added a line of acoustic-electric and jazz guitars under the Parker brand name. These were manufactured off-shore by Washburn guitars.  At that time U.S, Music owned the US distribution rights to the Washburn brand as well.

Bronze Fly

These acoustic models included the 24 fret Bronze Fly, which was a solid body guitar in the shape of the Parker Fly. It had no magnetic pickup, only a Fishman piezo pickup in the Parker style bridge, however there was no vibrato. Ken Parker had offered this guitar when he owned the company under the name The Fly Concert.

Nylon Fly

The Nylon Fly was a similar guitar. This model came with the Fishman piezo placed under a handcrafted ebony bridge.  Both models were topped with gold-plated Sperzel locking tuner. During the years Ken owned the company this guitar was called The Spanish Fly.

The PJ14N and PJ12 SB were true archtop hollow-body guitars. Both of these guitars had the most unusual body designs as well as unique f-holes.

The body of the PJ14N was made of natural spruce and the guitar featured a single Egnater floating Humbucker pickup with pickguard mounted controls and a 5-ply Rock Maple neck with Gold Grover Titan Tuners. The inlaid trapeze tailpiece appears to be made of ebony and the headstock was highly inlaid. This jazz box had only one sound hole. The bound ebony fretboard was inlaid with mother-of-pearl block fret markers. This guitar came with a 3-on-a-side headstock and it was simply awesome!


The PJ12 SB (sunburst) featured two Egnater Humbucker pickups mounted on the guitars body with individual volume and tone controls, a stunning brass tailpiece, and a 5-ply Rock Maple neck with Gold Grover Titan Tuners. This guitar featured a bound ebony fretboard with block position markers. The 3-on-a-side headstock had a large split-diamond inlay and above it the Parker logo all in mother-of-pearl. The PJ12 was the same guitar with a natural finish.

Parker Event Series
Another development in 2006 was the introduction of a line of acoustic-electric guitars under the Parker brand.  These models all had ovular sound holes. The guitars were actually made by the Washburn guitar company under the Parker logo and were given the designation of Parker Event Series guitars. These included three wide bodied models and five thinner body instruments. All had the same unique Parker body shape as the Jazz series. The line up included three non-electric acoustic models.

Parker P8E

The P8E guitar was designed with a solid cedar top, with a flamed maple back and sides. The unbound fretboard was made of ebony and had small dot inlaid position markers on the boards bass side The electronics were designed by Larry Fishman and included a piezo unit in the bridge and a Fishman magnetic pickup just under the neck. The master volume control is on the guitars top and on the upper side bout are the controls for treble, bass, and pickup balance.

Parker P9E

The P9E was very similar, except for the choice of wood. For this guitar, the top was solid cedar, but the back and sides were made of Indian rosewood The neck was made of mahogany.

Parker P10E

The P10E came with all the features of the P9E, however the neck had an ivoroid fretboard with dark dot position markers. The bridge was made of this same material.

Parker P6E Event Series
The Parker P6E models featured a thinner body than the aforementioned instruments. This guitar was available in various styles.

This guitar had a solid Sitka spruce top with single ply binding. The accouterments were similar to th aforementioned mode,  with biggest difference being the depth of the body.

The other difference was the necks which were made of 5-ply mahogany and maple. The body on the P6E models were made with mahogany back and sides. Once again the fretboard Is made of ebony with microdot inlays, The electronics were designed by Larry Fisher. These guitars were available in white, black, and transparent red.

Parker P7EQS

The P7EQS had the same accouterments, but had a fancy quilted sapele top.

Parker Intrique Series acoustic

The Parker Intrigue Series, were acoustic guitar, with no electronic features. The unique body shape on these instruments was much different as there is no cutaway section.

Parker Intrique Series acoustic
The PA28 came with a solid cedar top and solid Indian rosewood back and sides. The neck was 5 ply mahogany/maple topped with gold-plated Grover Stay-Tite open back tuners. These instrument had a zero fret to help with intonation.

Also it 2006 Parker also came out with a unique acoustic bass guitar to match up with their Event Series guitars.

Parker PAB 40
The PAB 40 bass guitar featured the same shape as the Event Series guitars. It included nine feedback suppressing slots routed into the bodies upper bout. The piezo and electronics were the customized Fishman Matrix Bass system and installed on the upper side. The bound body was made of American black walnut and included a thumb rest. The ebony fretboard had only dot inlays at the 12th fret. The 2 on a side headstock was topped with gold-plated tuners. The pin bridge was uniquely designed of ebony wood.

JAM Industries 
In 2009, the brand was acquired by JAM Industries of Montreal, Quebec, Canada. Production remained in Illinois. JAM is a multi-national distributor of musical instruments, pro audio and lighting and consumer electronic.

This company has acquired many smaller distribution companies and owns the distribution rights to quite a few well know brands including Digitech, Washburn, Marshall, Hagstrom, Randall, Oscar Schmidt, and Korg.

2010 Parker Maxxfly
In 2010 the MaxxFly model was introduced. This model was based on the Fly guitar, but featured a refined headstock which allowed it to be hung on a wall guitar hanger. The top horn was reshaped to be more traditional and ergonomic.

Standardized pickup cavities were set up to aid in manufacturing. The frets were reduced from 24 to 22, and the body became slightly thicker and heavier.

In 2015 the JAM Corporation announced that Parker's US production had ceased and a search for a new off-shore facility was underway.

Fly Mojo Snakeskin

Parker did create several special edition models after the 2015 announcement including the Fly Mojo Snakeskin model, the Koa Fly Mojo model, and the Four Season Fly Mojo guitar, which was offered in differing finishes corresponding to the seasons.

Parker Guitars  US Music page
The Parker Fly brand was being manufactured until November of 2016 when the factory in Buffalo Grove, Illinois was shut down. The U.S. Music website states, “The Parker Guitar line-up is currently being updated for re-release in 2017.

Ken in 2013 Holding his archtop

So what is Ken Parker doing these days? He has returned to his first love, which is building archtop guitars. He started doing this in the 1970’s, long before he became preoccupied with the Parker Fly guitar. During these years he was able to strike up a friendship and get advice from Jimmy D’Aquisto.

1991 model
much different Parker
Ken says on his webpage that he has been busy creating and selling his own archtop guitars. And these are very unique instruments, like no other guitars on the market. Each guitar is handmade and though they share the same outline, each is a one-of-a-kind piece. Ken has experimented with different woods that exhibit different tonal variations.

After selling his stake in Parker Fly Guitars in 2003, Ken began experimenting with the archtop guitar neck attachment. He felt that one of the pitfalls of the archtop acoustic was the bridge.

Parker Archtop "Grace"
On most models this involves a bridge with a saddle that is adjusted by means of some knurled knobs to raise and lower the action of the strings. He feels the bridge is such an important element in transferring the string vibrations to the guitars body and the standard method needed to be improved upon.

The bridges on his instruments need no adjusting.

Parker archtop neck and post
To solve this, Ken has created a unique adjustable and removable neck. The neck sets above the guitars body on a post made of carbon fiber.

This allows the player to not only adjust the neck, but to play in upper registers without being impeded by the instruments body or neck heel, as there is no neck heel. Another advantage to the removable neck is that the instrument can be dismantled and placed in travel size containers for safe travel on airlines. Parker can even build an instrument available with a variety of differing necks for the same body, such as a 25.5” scale or a 30” baritone scale, even six or seven string necks that would fit the same body.

Parker neck, bridge, fretboard

Parker’s fretboard design involves an altered conical parabolic curve that is based on the players preference for string gauge and action. He suggests using 12 gauge string sets for his instrument, preferably made of phosphor bronze material, since he uses Fishman Rare Earth SA220 humbucking pickups on his instruments.

Fishman Rare Earth pickup
top and side view
These pickups attach to the pickguard and are snug up against the distal end of the neck. All the wiring is concealed under the pickguard, including the 1/8” output jack. He prefers these pickups to piezo versions as he feels they deliver a more realistic sound.

Parker Archtop headstock & tuners
The headstock on Parker's archtop guitars is similar to the minimalist six-on-a-side type that he used on the Fly guitars. He has chosen Gotoh Stealth tuners to top his instruments. These are the smallest tuners on the market. He covers the back of the tuners with a plate so the machines are not visible.

Ken Parker archtop guitars have a base price of $30,000.

Click on the links under the pictures for the sources. Click on the links in the text for further information.
© UniqueGuitar Publications (text only)