Friday, June 2, 2017

Jerry Garcia's Wolf Guitar Is Auctioned For A Record Breaking Price

Jerry Garcia's Wolf Guitar


On May 31st an event auction was hosted by Brooklyn Bowl for Jerry Garcia’s Wolf guitar. The auction was done by Guernsey's Auctions.







Garcia playing Wolf
This guitar, which was first used by Garcia in 1973 at a New York City show, sold to Brian Halligan, the cofounder and CEO of the marketing software company HubSpot for $1.6 million plus a $300,000 premium, bring the total winning bid to $1.9 million.


Marketing Lessons from the Grateful Dead
Halligan, cowrote the book along with David Meerman Scott, “Marketing Lessons from the Grateful Dead: What Every Business Can Learn from the Most Iconic Band in History.”

The recipient of the money is the Southern Poverty Law Center.

The Wolf Guitar


The bid was then matched by another anonymous donor, making the total gift an amazing $3.5 million. This is the most money generated from a guitar auction.






Joe Russo's Almost Dead

The event also featured drummer Joe Russo leading an all-star cast, which included his own Grateful Dead tribute band known as Almost Dead.






Doug Irwin
Wolf was the first guitar that luthier Doug Irwin designed for Garcia.







The Wolf Decal
Its body was mad of curly maple and purple heart wood. Garcia found a sticker of a cartoon wolf and placed it below the bridge.

Through the years Garcia had several modifications performed on the instrument. The last time Jerry used the guitar was in February of 1993. He passed away 2 years later. He can be seen playing it in the Grateful Dead Movie.


The Wolf guitar in original form
The Wolf guitar was created as a result of Garcia visiting a San Francisco music store. While there he came across a very unusual guitar and inquired about it. He was told it was built by a guy named Doug Irwin. Garcia came back a few days later to buy that guitar.

Irwin tells the story that he was in the back of the store putting pickups on that particular guitar. Irwin says a couple of guys from the store came to the back room and told him that Jerry Garcia wants to buy your guitar. He thought they were joking.

Wolf with 2nd pickup arrangement
The guys came back a couple of times to get him and Irwin finally brought the guitar to the front of the store. Jerry told him that he liked the way the neck felt and he asked him to make another guitar. This Irwin built guitar came to be called The Wolf. Doug Irwin would go on to build four guitars for Garcia.


Irwin had just started building guitars at Alembic. This was a company run by Ron Wickersham, an electronics and sound expert that previously worked for Ampex, Rick Turner, a luthier and guitarist, and Bob Matthews, a recording engineer. The company started in a rehearsal room for the Grateful Dead, so there was an immediate connection between Alembic and the band.

As the story goes, Doug Irwin was recently hired by the Alembic company and was building electric guitars for them and he also built some for himself.

Eagle Guitar
The first one that Jerry Garcia purchased was known as The Eagle. This was the guitar that Jerry found when he came from the music store that where Irwin was employed. This guitar had humbucking pickups. At the time Garcia preferred the sound of his Stratocaster with single coil pickups.

Garcia asked him to build him another guitar. Irwin took a cue from this and created The Wolf, which he sold to Jerry Garcia in 1972 for $850. Garcia played this guitar for more than 20 years. Garcia asked Irwin to optimize Wolf with three single coil Stratocaster pickups.

As stated, this guitar was made of purple heart wood and curly maple. The fret board was ebony with 24 frets; longer than Fenders, which at the time only had 22 frets. The first version had a peacock inlay made of abalone, but in subsequent years Irwin changed this to an eagle.

A blood-thirsty cartoon sticker of a wolf adorned the body. This gave the guitar its name.

Garcia and the Wolf Guitar
In later years the middle and bridge single coil pickups were swapped out for humbuckers. This was an easy change because Irwin configured the pickups on a metal plate.


In fact it was Irwin who created both plates for the guitar. The pickup selector is the five position strat type.

Wolf Guitar Controls
The Wolf guitar features a master volume control and a tone control for the middle and front pickups. Two mini switches on the guitar are pickup coil switches, to choose between humbucking and single coil. There are two ¼” phone jacks. One goes to the amp and the other goes to Jerry’s effects loop.

There is also a mini switch to toggle the effects loop on or off. The electronics are accessible from a plate on the guitars back side and they are shielded. The tuning machines are Schaller’s and made of chromed nickel as is the bridge.

Wolf was the first guitar Irwin built that had the D shaped headstock that he used on other guitars he made as his trademark.

Both Wolf Headstock designs

On the headstock was the inlay of a peacock done in mother-of-pearl. While at a concert the guitar fell about 15 feet off of the stage and this caused a small crack in the head stock.


Doug Irwin took this as an opportunity to replace the head stock with ebony veneer and a mother-of-pearl inlay of an eagle, which by now had become Doug Irwin’s signature.

Garcia with Wolf Guitar
Jerry Garcia used the three single coil pickup plate up until 1978 when he had the single coil neck pickup and twin Dimarzio Dual Sound humbuckers for the middle and bridge position.

Click on the links below the pictures for their sources. Click on the links in the text for further information.

©UniqueGuitar Publications (text only)





Sunday, May 28, 2017

Greg Allman; His Life and Guitars

Greg Allman


Greg Allman passed away today due to complications from liver cancer. As a member of The Allman Brothers band, he was mainly know for playing the Hammond organ, but even when his brother Duane was alive.





Melissa on a Washburn guitar


Greg occasionally took up a guitar for a few songs. Perhaps the most notable of these was called Melissa. This song was originally performed on an acoustic guitar that belonged to Duane that was tuned to open E.





Duane and Greg Allman




Greg and his Duane started life in Nashville Tennessee, but grew up in Florida.







The Escorts


Their first real band was called The Escorts. The band was good enough to be the opening act for a Beach Boys concert.





The Allman Joys


The Escorts became The Allman Joys, which mainly played cover songs. During this time Greg purchased a Vox Continental organ.






Hour Glass

In order keep the band together and avoid being drafted into the armed services, Greg Allman shot himself in the foot. In 1967 they were renamed Hour Glass.




Allman Brother's Band


In 1969 the group was finally named The Allman Brother’s Band.




Allman's motorcycle after the crash


Tragically Duane Allman was killed in a motorcycle accident in 1971. Following this, the bands bass player Berry Oakley also died in a motorcycle accident.




Brothers and Sisters
Greg and the remaining members carried on and in 1973 had a hit record called Brothers and Sisters. The Allman Brother's Band broke up in 1975.


Greg Allman and Cher


Greg Allman went on to form the Greg Allman Band. He also married Cher and remained with her for a decade.




I'm No Angel


Allman recorded several albums and had a hit single called I’m No Angel. The Allman Brother’s Band regrouped in the early 1980’s. In 1989 The Allman Brothers Band got back together and continued to perform through 2014.




Low Country Blues


Greg Allman released a solo album called Low Country Blues in 2011, and his final album, Southern Blood, will be released this year.





Greg Allman

Allman is a Rock and Roll Hall of Fame inductee and is on Rolling Stone Magazine’s 100 Greatest Singers of All Time.



Greg Allman Autobiography

In 2012 Greg Allman published his autobiography called My Cross To Bear. Though Greg was mainly known as the singer and organist for the Allman Brothers Band, he did step up front and play guitar. Much is written about Duane’s guitars and equipment, but not so much is written concerning Greg’s guitars.




Greg Allman with Les Paul Custom



One of the earliest photo of Greg Allman playing a guitar is from 1975. In it he has a black Les Paul Custom.






Greg Allman with Gibson SG


The Allman Brother's Laid Back album came out around 1973 and it had a song called Queen of Hearts. From about that same time he is shown here with a Gibson SG, that may have belonged to Duane.



Greg Allman with an SG


Here is a 1974 picture of Greg playing a different Gibson SG. Butch Trucks was the drummer for the Allman Brothers Band. His son is Derek Trucks. I'm sure Duane and Greg's fondness for SG's must have influenced him.






Greg Allman with Veleno Guitar



Here is another picture of a young Greg Allman playing a Veleno guitar. Those guitars were made of metal and had a mirrored finish.





Allman with Veleno guitar



Here is another photo of him tuning the Veleno up. Note the unusual headstock and metal neck.








Greg Allman - Stratocaster


Allman is seen here with a black Fender Stratocaster. It is possibly a late 1960's model.







Allman and Cher - Ovation acoustic

Here he is seen singing with Cher and playing an Ovation acoustic. In the mid to late 1970's Ovation's were the go-to stage guitars, since the piezo pickups were the best. He also played an Adamas guitar that was made by Ovation.

Gibson SST 12 string guitar



Here Greg is seen singing Melissa and playing a Gibson SST 12 string.






Allman with a Martin D-35

He can be seen from this video playing a Martin D-35. Click on the link under the picture and you will see that Greg Allman was an excellent Blues guitar player.




Allman with a Guild



This clip from a TV show show Allman playing Come and Go Blues on a Guild D-40.






G. Allman Washburn signature models

Greg Allman had an endorsement deal with Washburn guitars. Here are the two models the company produced. The black guitar has "Melissa" inlaid in mother-of-pearl on the fretboard.


Allman with a Taylor guitar


At Farm Aid in 2007 Allman played a guitar made by Taylor.

Greg Allman with Gibson J-200






In recent years Greg Allman used a Gibson J-200 at his concerts.

Greg Allman struggled for years with addiction to alcohol, heroin and other drugs. He spent many years in rehab and became sober. In 2007 it was discovered he had hepatitus C. He underwent a liver transplant in 2010.

He died at his home in Savannah Georgia surrounded by his family and friends.

Please click on the links below the pictures for the sources. Click on the links in the text for further information.
©UniqueGuitar Publications 2017 (text only)






Saturday, May 27, 2017

James Jamerson's 1961 Fender Precision Bass Auction

1961 P Bass


A bass guitar owned and played by Motown legend James Jamerson will be up for auction later this month. This is the instrument was not the original that Jamerson played during his years with Motown’s Funk Brothers, as the label’s go-to session bass player. It is apparently a second bass that he owned. It is a 1961 Fender Precision Bass.

'57 Black Beauty


Jamerson’s first electric bass was a 1957 Precision Bass, refinished in black, with a gold-anodized pickguard and maple fretboard, which he nicknamed "Black Beauty". That bass was a gift from his fellow bass player Horace "Chili" Ruth. It was eventually stolen.





Jamerson with '62 Funk Machine
His most famous bass guitar was the 1962 Fender Precision Bass which was he dubbed "The Funk Machine." This Fender bass had a three-tone sunburst finish, a tortoiseshell pickguard, rosewood fretboard and chrome pickup and bridge covers. The bridge cover contained a piece of foam used to dampen sustain and some overtones, which was standard to the models of that era.

Jamerson with 1962 Fender P Bass

Jamerson had carved the word “Funk” on the the heel of the instrument. He typically set its volume and tone knobs on full. Sadly this bass was also stolen sometime in 1983 at a time when he was in the hospital and dying.


1961 Fender P Bass
Jamerson had lent his second 1961 bass to his aforementioned friend, Horace “Chili” Ruth sometime in 1967 or 1968  at a time when Ruth needed a bass. Jamerson never asked him to return it, so it has been in his procession ever since.

Jamerson left Detroit and moved to Los Angeles when Motown Records moved their headquarters to California. Apparently the bass was forgotten by Jamerson.

This bass is being offered by Heritage Auctions, with bidding starting on May 29th. The official dates are June 17th and 18th. There is a $12,000 premium. Click the link to register.

The bass is completely original. Only one of the La Bella strings has been replaced.

Jamerson is one of the best known and most influential electric bass players of all time. He was inducted posthumously into the Rock and Roll Hall of Fame in 2000. His playing can be heard on at least 30 Number 1 hit recordings and more than 70 R&B hit recordings.

Jamerson's bass



Jamerson started his career by playing in Detroit clubs and later found session work with the Motown Record Company. He began by playing string bass, but switched to electric bass during the 1960’s.





Funk Brothers, Jamerson  in the back

As mentioned before, James Jamerson was part of a core group of Motown Session player that came to be known as The Funk Brothers. In addition to session work, he sometimes toured with the artists. Though the musicians did not receive credit on the singles or albums for their work until sometime in the 1970’s,

Jamerson with Marvin Gaye

Jamerson’s playing can be found on such hits as Just Like Romeo and Juliet, You Can’t Hurry Love, My Girl, Shotgun, For Once In My Life, I Was Made To Love Her.



Jamerson in the studio

That is him playing the bass lines on  Going to a Go-Go, Dancing In The Street, I Heard It Through The Grapevine, What’s Going On, Reach Out, I’ll Be There, and Bernadette. When Motown ended in 1973, Jamerson performed on such songs as Neither One Of Us, Boogie Down, Boogie Fever, You Don’t Have To Be A Star, and Heaven Must Have Sent You.



Jamerson's Obituary
James Jamerson played on albums by Robert Palmer, Dennis Cofey, Al Wilson, Smokey Robinson, Ben E. King and many others. When bass styles changed, Jamerson, who was a pioneer, found himself out of work. His 1983 death was attributed to liver failure, resultant from alcoholism.

Jamerson with '62 Funk Machine
On his Fender Precision bass, Jamerson favored La Bella heavy-guage flatwound strings (.052 - .110). He never replaced these strings unless they broke. He did not take particularly good care of his instruments. In fact he once said, “The gunk keeps the funk.” He believed this improved the quality of the tone.

It was suggested to Jamerson that he switch to brighter sounding roundwound strings, but he declined.

Jamerson with Funk Machine

In an interesting 2015 article from the Talkbass forum titled, James Jamerson's Funk Machine - Wrong Year, the editor of Bass Magazine and a reader discuss the fact that the famous Funk Machine may not be a 1962 Fender Precision bass, but rather a model created between 1964 and 1967, based on the transition logo decal, created in 1964, and the pearloid dot fret markers.


Bridge Cover Foam Mute
Another indicator that it may be a bass made later than 1962 is the foam mute pad under the bridge cover. These were not introduced until 1963. Prior to that the mutes were made of felt.

Jamerson on upright bass




When playing upright bass, he used his index finger to pluck the strings. On electric and acoustic bass, he favoured utilizing open strings. This technique helped give his playing a fluid feel. He subsequently got the nickname; The Hook.



On studio recordings James Jamerson plugged directly into the mixing console. He adjusted the console so his sound was slightly overdriven. The tubes in the mixer gave him a little compression. 

Jamerson with Ampeg B-15 amp

When he played in clubs he used an Ampeg B-15 amplifier with an older Kustom speaker cabinet loaded with twin 15” speakers and covered in blue Naugahyde. He always played with the volume control turned up fully and the treble control turned only half way up.

Click on the links below the pictures for the sources and the links in the text for additional information. For a real treat, click on the links on any of the songs mentioned to hear some of the best Motown music ever recorded.

©UniqueGuitar Publications 2017 (text only)