50,000 watts, WLW's Radio Tower
Around 1964 when I was 12 years old Cincinnati had three radio stations that played Rock and Roll Music.
They were WLW at 550 AM, WCPO at 1230 and WSAI at 1360.
Listeners of WCPO were promised a surprise which was advertised for a couple of weeks. We woke up one morning, turned on the station to find they changed their format to All Folk, All the Time. Man, were we mad. The Folk Scare had hit Cincinnati.
A folk singing group known as The Rooftop Singers were a musical trio from that era. They are best known for their hit recording “Walk Right In”.
In 1963 the song spent two weeks at the number one position on the Billboard Hot 100 chart.
It also spent five weeks atop the Easy Listening chart. It peaked at number four on the Rhythm and Blues chart and number 23 on the Country Chart. Additionally it reached #1 in Australia.
The recording sold over a million copies and earned a Gold Record.
Erik Darling heard the original recording of Gus Cannon’s version and thought it would make a great record. Darling wanted it to have a distinctive and full sound and decided it should be played on 2 twelve string guitars. According to Darling this was a difficult task. He explains;
Gibson Company, but in order to record with two 12-strings, we had to wait for the company to build a second one for Bill!"
I took guitar lessons at Dodd's Music in Covington and I wanted a 12 string guitar in the worst way.
My instructor, George Olinger, would grab one off the rack for me to play during the teaching session, further tempting my 12 string Jones.
I have no idea if it had been worked on or came like this from the factory. The tone was huge with tons of midrange. The sloped shoulders on the upper bouts were reminiscent of gut string guitars. Because of the heavy tension of the strings, Gibson had built this guitar with a trapeze tailpiece.
The long headstock bore a Gibson decal. The position markers were perloid dots.
The B-45-12 had a mahogany body and neck, spruce top, rosewood fingerboard, and a cherry sunburst finish, and was made with "round" shoulders for the 1961 – 1962 model year. It was made with the same accoutrements as the B-25, however the headstock was inlaid and the position markers were dots.
The square shoulders version was introduced in 1963 and remained in the catelogue until the end of its production in 1979.
That same year also saw the introduction of the B-45-12N, natural finished guitar. Like the B-25-12, the bridge was originally rectangular with the strings attached to a trapeze. This was changed to the pin style bridge.
In 1969 Leo Kottke made a record called 6 & 12 String Guitar was a creeper on the charts. It eventually sold around 500,000 copies and made Kottke a name among guitar players. Readers of Guitar Player magazine voted Kottke "Best Folk Guitarist" for five consecutive years from 1974 through 1978.
Although Kottke played 6 string guitar, his forte was the 12 string, which he tuned in a myriad of unusual ways.
Note the old DeArmond pickup
Leo locked onto a Gibson B-45 12-string, which he would recall as a special moment: "Most of them are not playable", He was quoted as saying. Kottke discovered the one that was very playable and was attached to that guitar for years until it was stolen. (My opinion is most any guitar can be made playable if set up properly.)
The B-45-12 was also a favorite of Reverend Gary Davis, a Folk-blues legend that wrote some wonderful songs.
Starting in 1963, the B-45-12-N was also available as a natural finish edition.
From 1991 – 1992, Gibson manufactured a reissue of the B-45-12 with rosewood sides and back.
Aside from the 12 string versions, Gibson also had six string versions of the B-25, the B-45 and a budget model called the B-15.
As of 1992 Gibson ceased production of all B Series guitars.